Cotton Candy in the Sky
Oil on Panel, framed in a simple but elegant white frame, all wood. 36”x48” This painting is from a photograph my mom took off of a catamaran in the Caribbean. The view of an endless open ocean is a composition that I initially saw a Hudson River School painter, John Kensett, use in a painting I happened upon at The Met in NYC. It astonished me because it felt like it was an image I’d see on a friend’s Instagram, not a painting from the early 19th century. This painting is a prime example of that interest turning into an homage.
Oil on Panel, framed in a simple but elegant white frame, all wood. 36”x48” This painting is from a photograph my mom took off of a catamaran in the Caribbean. The view of an endless open ocean is a composition that I initially saw a Hudson River School painter, John Kensett, use in a painting I happened upon at The Met in NYC. It astonished me because it felt like it was an image I’d see on a friend’s Instagram, not a painting from the early 19th century. This painting is a prime example of that interest turning into an homage.
Oil on Panel, framed in a simple but elegant white frame, all wood. 36”x48” This painting is from a photograph my mom took off of a catamaran in the Caribbean. The view of an endless open ocean is a composition that I initially saw a Hudson River School painter, John Kensett, use in a painting I happened upon at The Met in NYC. It astonished me because it felt like it was an image I’d see on a friend’s Instagram, not a painting from the early 19th century. This painting is a prime example of that interest turning into an homage.